Posts Tagged Western

The Hillerman Prize: The Best of Western Mysteries

by Marcia Allen, Collection Development

Tony_HillermanI still miss having a fresh, new Tony Hillerman mystery to read.  I never tired of reading the latest adventures of law officers Joe Leaphorn and Jim Chee, as they patiently sorted out the facts of murders and thefts that took place in the Southwest.  To me, and to so many other long-time fans, the characters and situations that Hillerman so skillfully described in each tale were among the best in American mystery writing.

The range of awards that the author earned was astonishing.  The Anthony, the Edgar, the Macavity, and the Nero were among his accolades, some of them received multiple times.  And one special honor was earned in 2002 when Hillerman received the Agatha Malice Domestic Award for Lifetime Achievement for having written novels in the spirit of Agatha Christie.

While Hillerman died in 2008, the spirit of his creativity lives on.   The Tony Hillerman Writers Conference is held each year in Santa Fe, New Mexico during the fall.  Workshops led by award-winning writers and promotional activities supporting the writing of any genre are conducted.  One of the highlights of the event is the announcement of the year’s Hillerman Prize.  The lucky winner has the opportunity to meet the editor of St. Martin’s Press with whom he or she will collaborate on that first novel.  The author also wins a cash prize of $10,000.

Among other prbad countryize guidelines, the author must have never before written a published mystery or be under contract with a publisher, and the debut mystery must take place in the Southwest.  The crime itself must be murder or other serious crimes, with a focus on solution rather than the actual details of the crime.

Which brings me to C.B. McKenzie, the 2013 Hillerman winner.  I had never heard of the author, but the bold “Winner of the Tony Hillerman Prize” logo on the cover caught my attention.  Bad Country seemed promising, so I began to read of the adventures of Rodeo Grace Garnet, private investigator/warrant server in a desolate corner of Arizona called El Hoyo (The Hole).  The action begins when Rodeo discovers the battered body of a Native American near his home.  Further investigation reveals a whole string of violent murders, all committed against various tribal members.  Told by law enforcement to avoid involvement, Rodeo begins piecing together the similarities of the crimes.  Full involvement begins when a grandmother of one of the victims asks for Rodeo’s help, yet she displays no sympathy or compassion toward her deceased grandson.

What makes this mystery one-of-a-kind is a flawed but caring main character.  Rodeo has made a lot of mistakes, like his relationship with the treacherous Serena Ray Molina, but he also cares deeply about justice and the victimization of helpless characters like Samuel Rocha.  The mystery itself is a complex tale of deception and violence, with a hit-and-run accident that has far-reaching implications.  And the ending of the book is explosive.  Understated tones and short passages pack a wallop of a finale.

If you like this territorymystery, you’ll probably want to check out other Hillerman award winners.  MPL also has Andrew Hunt’s City of Saints (the 2011 winner).  This mystery takes place in Salt Lake City in the 1930s when and unusual pair of crime-solvers must discover the killer of a socialite.  Or, you might try the 2010 winner, The Territory by Tricia Fields.  This tale explores the nasty interactions between the inhabitants of a West Texas town and violent drug cartel members.  The 2008 winner, The Ragged Edge of Nowhere by Roy Chaney, concerns ex-CIA Agent Bodo Hagen, who turns to crime-solving when his brother, who somehow possesses an ancient relic, is murdered in the desert.

So, there you have it.  A variety of different styles and storylines that share only a focus on Southwest crime, but each special in its own way.  These are, after all, the prestigious winners of the Tony Hillerman Prize.

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Spur Award-Winners Announced


The Spur Awards, given annually for distinguished writing about the American West, are among the oldest and most prestigious in American literature. The awards were established by WWA in 1953.

They are given for many types of writing including novels, short fiction and nonfiction, biography, history,  juvenile fiction and nonfiction, best TV or motion picture drama, best TV or motion picture documentary, and best first novel.

Winners of the Spur Awards in previous years include Larry McMurtry for Lonesome Dove, Michael Blake for Dances With Wolves, Glendon Swarthout for The Shootist, Lucia St. Clair Robson for Ride the Wind, and Tony Hillerman for Skinwalker.  The Western Writers of America are presenting the Spur Awards this week at their convention in Sacramento.

Anne Hillerman’s Spider Woman’s Daughter, which continues her late father’s mystery series won the award for Best First Novel.  Check out the complete list of winners at

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Longmire fans!! He’s Back!!

large_Spirit_of_Steamboat_Craig-JohnsonThe new Longmire television season (season 3) begins on A&E on June 2. The hit drama is based on the popular mystery book series by Craig Johnson. The newest and 10th book in the series, Spirit of Steamboat, is available at Manhattan Public Library. If you are not familiar with the series, start with the first title, The Cold Dish. You can also catch up on the series with the DVD of the first season.

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Classic Western Films

John Pecoraro
Assistant Director
Manhattan Public Library

What are the ten best Western films of all time? Well, that depends on who you ask. You can find many lists of top Western films on the Web, but Classic Western Films no two lists will include the same films.,,,, the American Film Institute, the Internet Movie Database, Rotten Tomatoes, and many other websites have their own opinions on which are the best Westerns. Since there doesn’t seem to be any consensus among the experts, I’ve come up with my own list of favorite Westerns. My own top ten, in no particular order, are:

“The Magnificent Seven,” 1960, directed by John Sturges. In this western remake of Akira Kurosawa’s “Seven Samurai,” seven American gunmen take on the job of defending a Mexican village against marauding bandits. Elmer Bernstein composed the film’s iconic theme music, later used in commercials for Marlboro cigarettes. The film stars Steve McQueen, Yul Brynner, Charles Bronson, James Coburn, and Eli Wallach to name a few.

“The Searchers,” 1956, directed by John Ford. Based on the novel by Alan Le May, the film stars John Wayne as a middle-aged Civil War veteran who spends years looking for his niece (Natalie Wood), who has been abducted by Comanches. Major themes running through the film are the issues of racism and genocide towards Native Americans.

“Butch Cassidy and the Sundance Kid,” 1969, directed by George Roy Hill. Loosely based on actual events, the film tells the story of outlaws Robert Leroy Parker, aka Butch Cassidy (Paul Newman), and the Henry Longabaugh, the Sundance Kid (Robert Redford).

“The Good, the Bad, and the Ugly,” 1966, directed by Sergio Leone. One of the “Spaghetti Westerns,” filmed in Italy and Spain, the plot revolves around three gunslingers competing to find a fortune in buried Confederate gold: Blondie, The Good (Clint Eastwood); Angel Eyes, The Bad (Lee Van Cleef); and Tuco, The Ugly (Eli Wallach). Ennio Morricone composed the recognizable and haunting film score.

“The Oxbow Incident,” 1943, directed by William Wellman, and starring Henry Fonda. Based on the novel of the same name by Walter Van Tilburg Clark, the film explores the theme of mob justice and vigilante law as two drifters are drawn into a lynch mob to find and hang three men presumed to be rustlers and the killers of a local man.

“Shane,” 1953, directed by George Stevens. Based on the novel by Jack Shaefer, with a screenplay by Western author A.B. Guthrie, the film tells the story of Shane, a drifter and reluctant gunslinger. Shane (Alan Ladd) stumbles into an isolated valley in Wyoming and becomes embroiled in a land conflict between a homesteader and a ruthless cattle boss.

“True Grit,” 2010, directed by Joel and Ethan Coen. A remake of another classic Western from 1969, “True Grit” directed by Henry Hathaway, and based on the novel by Charles Portis. Fourteen-year-old Mattie Ross hires Deputy U.S. Marshal Rooster Cogburn (John Wayne in the original; Jeff Bridges in the remake) to bring her father’s murderer to justice.

“Unforgiven,”1992, directed by and starring Clint Eastwood. A dark Western that deals frankly with the uglier aspects of violence and the myth of the Old West. The film tells the story of William Munny, an aging outlaw and killer who takes on one more job years after he had hung up his guns and turned to farming.

“Little Big Man,” 1970, directed by Arthur Penn, and based on the novel by Thomas Berger. At age 121, Jack Crabb (played by Dustin Hoffman) recounts the story of his life, including capture by the Cheyennes and participation in the Little Bighorn fight against George Armstrong Custer.

index (9)And last but not least, “Blazing Saddles,” 1974, directed by Mel Brooks, because it’s always fun to spoof the things you love. The campfire scene alone qualifies this film as “classic.” This film satirizes the racism obscured by myth-making Hollywood accounts of the American West, with the hero being a black sheriff in an all-white town.

All of my top ten appear on one or more lists of best Westerns. Most of these titles are available in DVD format at Manhattan Public Library.

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Classic and Award-Winning Westerns

by Susan Withee
Adult Services Manager

Every month, the librarians of Manhattan Public Library’s Adult Services Department read and discuss books from a different chosen fiction genre or subject area.  We do this in order to keep informed about good books to recommend to our readers and also to challenge ourselves to read outside our usual preferences.  This month we tackled Westerns, and for most of us it’s been a departure and a pleasant surprise.
Genre fiction is considered to be written according to a roughly recognizable formula.  The most popular fiction genres are mysteries, science fiction, fantasies, romances, and Westerns.  Traditionally, Westerns have been short adventure novels of the legendary Old West (not necessarily factually accurate Western history), taking place on the moving edge of the American frontier throughout the 19th and early 20th centuries.  They offer a simple writing style and straightforward plot featuring lots of action and strong and self-reliant heroes (or heroines) who are engaged in the timeless conflicts of good vs. evil, man against nature, culture vs. culture.  Westerns have made the transition to film with great success and have been updated and re-interpreted into stories of superheroes and Star Wars’ space cowboys.
Just as mysteries have come a long way from Agatha Christie’s Miss Marple to Jeffry Lindsay’s Dexter Morgan, Westerns have come a long way from the early novels of Zane Grey and Louis L’Amour.  Today’s Westerns offer a wider spectrum of settings, characters, and time frames, and also more depth and moral ambiguity in their plots.  In spite of the concept of formula fiction, there are endless permutations to the formula and literary quality is often superb.  Reading a good Western can be an engrossing, enjoyable, and satisfying experience.
If you’re not already a Western fan and want to give one a try, a great source for book suggestions is the list of nominees and winners of the Spur Award, annual prize of the Western Writers of America.  In addition to such classics of print and film as The Virginian by Owen Wister, The Ox-bow Incident by Walter Clark, Shane by Jack Schaefer, and True Grit by Charles Portis, you’ll find recent winners and best-sellers like:

  • Last Train from Cuernavaca by Lucia St. Clair Robson, winner of a 2011 Spur Award and a rare woman-authored, female-protagonist Western;
  • Summer of Pearls by Mike Blakely, featuring a riverboat community and the Great Caddo Lake Pearl Rush of 1874;
  • Far Bright Star by Robert Olmstead, described by the Dallas Morning News as a “thinking reader’s Western”;
  • Bound for the Promise-Land by Troy D. Smith, the saga of Alfred Mann, a freed slave, Civil War soldier, Buffalo Soldier, and Medal of Honor winner, and his quest to rise above ignorance and intolerance;
  • Masterson by Richard S. Wheeler, a “sprightly romp” (Publisher’s Weekly), featuring legendary gunfighter Bat Masterson as an aging, hard-drinking curmudgeon intent on revisiting the locales of his past adventures with his young common-law wife Emma;
  • Valdez Is Coming or 3:10 to Yuma by Elmore Leonard and The Undertaker’s Wife or The Branch and Scaffold by Loren Estleman, both prolific writers of bestselling contemporary fiction as well.

Other titles to look for:  Stranger in Thunder Basin or Trouble at the Redstone by John D. Nesbitt; The Hanging Judge by Lyle Brandt; Vengeance Valley by Richard S. Wheeler; The Way of the Coyote by Elmer Kelton; The Trespassers by Andrew J. Fenady; A Cold Place in Hell by William Blinn; Dreams Beneath Your Feet by Win Blevins; Killstraight or Camp Ford by Johnny D. Boggs; The Sergeant’s Lady by Miles Swarthout.
For readers wanting books with a woman’s perspective on the Western experience, try winners of the Willa Award, an annual prize given by the writers’ group “Women Writing the West,” named in honor of author Willa Cather (O Pioneers, My Antonia).  Look for popular authors Sandra Dallas, Jane Kirkpatrick, Molly Gloss, Cindy Bonner, Jeanne Williams, Jo-Ann Mapson, Jana Richman, Bess Streeter Aldrich, Pamela Nowak, Loula Grace Erdman, Elizabeth Crook, Augusta Locke, Nancy E. Turner, Sandi Ault, and Kim Wiese, to name just a few.

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